Lisbeth Buonanno

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Mes travaux de styliste

Alliance Française des Designers

afd_affiche.jpgDesign =Dessiner à dessein =Gagnant-gagnant =Solutions =Croissance… Dans le cadre des rencontres professionnelles AFD durant la Biennale internationale du design de Saint-Étienne, cette exposition est un coup d’œil sur quelques fondamentaux du design, avec la participation de membres AFD et d'étudiants de l'Esadse, qui ont adressé un dessin préparatoire d’un projet de design, suite à notre appel « Habillons l’AFD ». Du 20 novembre au 5 décembre, Bureau des designers, Agora de la Platine. Plan

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L’exposition est composée d'un triptyque signalétique à l'extérieur du Bureau des designers, une oeuvre composite de design, conçue avec les dessins préparatoires des designers d’espaces, de messages ou de produits, Hugues-Marie Bornecque, Lisbeth Buonanno, François Colonna, Raphaële Enjary, Bruno Lefebvre, Gerard Marty, Olaf Mühlmann, Nicole Perignon, Jessica Perilhou, Olivier Philipponneau, Ewen Prigent, Annelise Pucci, Sébastien Terral, Yvan Teypaz, et des étudiants en design de l’Esadse Alice Alvarado, Anne-Sophie Cocq, Olivia Flandin, Christine Frenot, Arnaud Gauthier, Andy Gehin, Jade Guillaux, Michaël Paquet, Alexander Rempel, Arnaud Rouvet, créée par François Caspar, designer de messages.

Ces dessins préparatoires sont reproduits dans leur intégralité sur 8 panneaux à l’intérieur du Bureau des designers. © 2010 AFD et les auteurs respectifs.AFD.jpgafd_signaletique.jpg
 

mode et accessoires

m2m3m4m5m6m7visuels de Frédéric Germond
 

Créations Baroques

bar1bar3Vibar8suelsbar2bar5bar7bar4 Frédéric bar9bar10bar11Germont
 

Festival Awtar 2010

 

Photos Festival Awtar 2010, Maroc

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Maquette Awtar 210

 

decor2010aRéalisation du décor en atelier

 

 

 

decor2010bRéalisation du décor en atelier

 

 

 

 

awtar2010aDécor sous châpiteau

 

 

 

 

decor2010Décor peint 18mx6m

 

 

 

 

gpd2010 Gpd groupe de danse de Bollywood

 

17th Century History of costumes


The 17th Century

Little change occurred in women's clothes of the 17th century. Although the farthingale disappeared during the baroque period, skirts remained bell shaped. The cone-shaped corset continued, with the waist higher or lower as fashion dictated. Late in the century the loose gown, or Mantua, made its appearance. The ruff was replaced for both men and women by a wide lace collar that sloped over the shoulders.

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At the beginning of the century men still wore the garments of the later Middle Ages: doublet, breeches and hose, and a cape. The Cavalier look then became the mode with broad topped boots, slashed doublets, and wide brimmed hats.

During the first half of the century the casaque was developed for travel or military use. It was a cape cut with two fronts, two backs, and two shoulder pieces. The fronts and backs buttoned to form a coat and shoulder pieces buttoned to form sleeves. This innovation evolved into the riding coat and, in the 18th century, it became the modern coat. The doublet evolved into the waistcoat or vest.

Both men and women wore the high crowned Puritan hat until 1660 when women's bonnets appeared. Women wore their hair naturally, no longer than to the shoulder, and covered it with a kerchief. Waists were narrow and skirts bell shaped. Sleeves, although wide, were usually three-quarter length. The outer gown was pulled back from the skirt front and, by 1680, formed a bustle.

The wig was introduced by Louis XIV to mask his increasing baldness after his originally magnificent head of curly hair had set the fashion. It remained an indispensable item in a gentleman's wardrobe for well more than a century. Powdered white or gray, large and elaborate or small and neat, the wig replaced men's natural hair at any social occasion until the French Revolution, at court functions for another 30 years after that, and in the law courts of Great Britain to this day.

Men's jackets became longer and were trimmed with lace at the sleeves. A lace shirt sometimes protruded below the jacket, which gave an even more elongated appearance. High heeled shoes replaced boots.

By 1680, women wore a headdress of ribbon and lace called a frontage that rose a foot or more above their heads. Lace and ribbons were freely used, and, except among the Puritans, colors were bright for both men and women. With the exception of going back to trousers from breeches, the essential garments of modern men's clothing had all evolved by 1680.

 
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